FEATURE

Without Walls

A jaunt through the boundless visual worlds of six young, successful Columbia artists.

by David Shapiro '01CC Published Summer 2013
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Anya Kielar
 

The art of Anya Kielar ’05SOA typically explores generalized images of women, making frequent reference to the histories of both painting and photography. In WOMEN, a 2012 solo show at Rachel Uffner Gallery on the Lower East Side, Kielar used nontraditional “painting” methods, including textile dye and devoré — a burnout technique typically used for T-shirts. These works, inspired by set design, folk art, early-twentieth-century painting, and the notion of “primitivism,” were suspended between ceiling and floor throughout the gallery. In an earlier group of large-scale works she calls “sprayograms,” Kielar employed a stenciling technique to create vibrant images on paper that hover between the abstract and the figurative. While the sprayograms make use of acrylic paint, they allude to a type of camera-less photograph called a “photogram,” which was championed by the surrealist Man Ray, who called his “rayographs.”

Portrait by Jörg Meyer

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